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B I BL IOTHÈQUE
R.
ET
B. L.
FUTURISME
-
DADA
-
SURRÉALISME
ÉDITIONS ORIGINALES
LA PLUPART SUR GRAND PAPIER ET AVEC ENVOI AUTOGRAPHE
ARAGON – ARTAUD – BATAILLE – BRETON – CHAR – CREVEL – DALÍ – DEHARME – DERMÉE – DESNOS – DUCHAMP
ELUARD – ERNST – GOLL – HUELSENBECK – HUGNET – ILIAZD – JOOSTENS – LIMBOUR – MARINETTI
PAALEN – R. PENROSE – PÉRET – PICABIA – G. PRASSINOS – RIBEMONT-DESSAIGNES – TZARA
DESSINS – AQUARELLES – GOUACHES – FROTTAGES
ARP – BELLMER – BÉRARD – BOUMEESTER – BRAUNER – BRIELLE – COCTEAU – CRAVAN – DALÍ – DELVAUX – DESNOS
DOMINGUEZ – ELUARD – ERNST – GOETZ – HUGNET – J. HUGO – V. HUGO – LABISSE – MAGRITTE – MARCOUSSIS
MIRÓ – R. PENROSE – PICABIA – PICASSO – PRASSINOS – TANGUY – TAEUBER-ARP
COLLAGES
ARP – HUGNET – R. PENROSE – G. PRASSINOS
GRAVURES – LITHOGRAPHIES ORIGINALES
ARP – BELLMER – BOUMEESTER – BRAQUE – BRAUNER – DALÍ – DOMINGUEZ – DUCHAMP – ERNST
GIACOMETTI – GOETZ – GRIS – HAYTER – V. HUGO – JANCO – KANDINSKY – LAM – LAURENS – LÉGER – MAN RAY
MARCOUSSIS – MASSON – MATISSE – MIRÓ – PICABIA – PICASSO – REICHEK – SELIGMANN – TANGUY – TAEUBER-ARP
COLLECTIONS – REVUES – TRACTS
FUTURISME (1909) – MAINTENANT (1912) – 291 (1915) – 391 (1917) – DADA (1917) – LITTÉRATURE (1919)
PROVERBE (1920) – CANNIBALE (1920) – LA RÉVOLUTION SURRÉALISTE (1924) – MÉRIDIENS (1929)
LE SURRÉALISME AU SERVICE DE LA RÉVOLUTION (1930) – MINOTAURE (1933) – UN DIVERTISSEMENT (1935)
REPÈRES (1935) – CAHIERS G.L.M. (1936) – PLASTIQUE (1937) - LONDON GALLERY BULLETIN (1938)
L’USAGE DE LA PAROLE (1939)
AUTOGRAPHES ET MANUSCRITS
ARTAUD – BATAILLE – BELLMER – BRETON – CHAR – CRAVAN – CHIRICO – CREVEL – DALÍ – DELVAUX – DESNOS
DUCHAMP – ELUARD – ERNST – MAGRITTE – MARCOUSSIS – MIRÓ – PANSAERS – PICABIA – PICASSO – TZARA
RELIURES
P. BONET – R. DEVAUCHELLE – G. HUGNET – G. HUSER – G. LEROUX – P.-L. MARTIN – M. MATHIEU
H. MERCHER – J. P. MIGUET – SEMET ET PLUMELLE
PHOTOGRAPHIES
BELLMER – MAN RAY
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