10 / 416
10
16 Compass rose
, 1695. Drawing on paper, c. 36 x 23 cm, coloured brown, yellow and red, with
extended flowery decoration around the compass rose; with a short commentary in Dutch. Framed
(without glass). Paper age-toned, some thumbing otherwise good condition.
€ 100/200
Nicely drawn. At top “Anno 1695 den 19 december Konst der Zeevaert Pieter dakman [?]”. Text
above and under the compass rose: “wanneer de sons opganagck is benoorden het oost en den
onderganck beruyden het west oft den opganck bezuyden het oost en den onderganck benoorden het
west addeert beyde peylingen (...)”
17 [Copper plate]
-
Gegraveerd publicitair naamkaartje
, 12 x 7.5 cm, sierlijk gedecoreerde ovalen
rand met bovenaan een kleine cartouche en centraal de tekst “François Bury Fabricant d’armes à
Liège. Fréquente les foires de Francfort S.M. & Leipzig”.
€ 80/120
18 [Copper plate]
-
HUBERTI, C.
- “Twee-maandelyke uyttreksels van W. Sewel te Rotterdam by
Barent Bos”, s.d. [18de eeuw], 13,6 x 8,2 cm; gesign. “C. Huyberti” (slecht leesbaar), getiteld.
Opgeborgen in mapje met afdruk van de plaat. Licht bevuild.
€ 120/200
Afbeelding van twee mannen in een bibliotheek. Titelp. van een tweemaandelijkse publ. uitgegeven
door W. Sewel tussen 1702 en 1704, opvolger van “Boekzaal, De boekzaal van Europe”.
19 CORT, Cornelis
- Meeting of the Gods on the Olymp, s.d. Tool engraving after Francesco
Primaticcio and Tommaso di Bologna, circular,
2 states
. Stuck by one side under passe-partout.
Cfr. ill.
€ 400/600
Beautiful rare plate. “La fresque du Primatice pour la Galerie d’Ulysse au château de
Fontainebleau fut détruite en 1738-1739, mais le dessin préparatoire est conservé au Cabinet des
Arts graphiques du Louvre” (Valenciennes Libr.).
1st state
: publ. by J. Cock, diam. 42 cm (trimmed
to the borderline); engr. inscription “Tomaso Vincidor de Bolonia inve H. Cock [e]xcude”, caption
lacking. Underlaid, some expertly repaired tears. Very good impression.
2nd state
: diam. 45 cm
(trimmed to the platemark); engr. inscription “Tomaso Vincidor de Bolonia inve Corn. Court fecit”
and Latin caption “Panditur interea domus omnipotentis Olympi conciliumque (...)”. Sl. rubbed
and stained, folds and old traces on verso, a few marg. tears.
Ref.
Hollstein V, p. 55, 184.
20 [Costumes]
-
AMMAN, Jost
- Honesta Mulier Brabantica
=
Ein Weib auss Brabandt. Woodcut
LXXXVI from “H. Weigels Trachtenbuch”, 1577, 27,5 x 17 cm, handcoloured. Framed (not
unframed). Very good copy.
€ 100/150
Nice woodcut showing a lady in typical Brabant costume. With a 4-lined rhyme below.
Ref.
C.
Becker, Jost Amman (...), p. 230.
21 CRANACH the Elder, Lucas
- The Crucifixion, s.d. Woodcut, 24,5 x 17 cm (trimmed to the
borderline); verso blank. Passe-partout. Sl. brown., some tears skilfully repaired on verso.
€ 200/300
From “The Passion”, set of 14 woodcuts publ. from 1509 to 1616.
Ref.
Hollstein VI, p. 21, 20.
22 CRANACH the Younger, Lucas
- Philip Melanchthon, full-lenght towards the right, 1561.
Woodcut, 24,7 x 15 cm; with the serpent and “1561”, letterpress at top “Effigies (...)”, German text
on verso. Stuck by upper corners under passe-partout. Sl. brown., left margin defect.
€ 150/300
Inscription “Effigies reverendi viri Dn. Philippi Melanthonis”, without year in Roman numerals.
Borderline broken in 4 places.
Ref.
Hollstein VI, p. 151, 48.
~ On parchment ~
23 CRUSSENS, Anthonie
- [Skaters by a stone bridge], 17th c. Pen and brown ink, 18,8 x 28,5 cm,
parchment 20 x 30 cm; signed in lower centre (hardly visible). Stuck by upper corners under passe-
partout. Ink fading otherwise good condition.
Cfr. ill.
€ 1000/1500