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33 [Drawing - French school]
- [
Motif décoratif floral
], fin XVIIIe s. Crayon sanguine, France,
papier vergé 22 x 16,5 cm à vue; non signé. Sous passe-partout, verre et cadre (non désencadré).
Feuille très lég. brunie.
€ 100/150
Intéressant projet de motif décoratif figurant des fleurs, des tiges et des boutons floraux. Qqs petites
indications mss de couleurs à l’encre (“vert”, “violet”, “orange”, “rouge”...). Pour une étoffe ou
un papier peint?
34 [Drawing - French school]
- [
Scène bucolique
], XVIIIe s. Sanguine, 16,5 x 23,2 cm; non signé.
Monté sous passe-partout. Pli central, pet. rest. dans la partie inf. centrale et dans la marge sup.
gauche.
€ 150/200
Jolie scène, probablement de l’école française, représentant 2 femmes dont l’une étendue, entourée
de moutons.
35 [Drawing - German School]
- [
Christ before Caiaphas
], s.d. Sepia ink pen and wash, 10,2 x 7,3
cm; not signed. Stuck by upper corner under passe-partout. Left lower corner sl. rounded, tiny marg.
defects, old traces on verso.
Cfr. ill.
€ 400/600
Beautiful finely executed drawing representing Christ surrounded by soldiers, standing in front of
Caiaphas in an architectural set. Auction stamp of the city of Leipzig on verso (Lugt 2731).
36 [Drawing - Rembrandt, after]
- [
Abraham Francen, apothecary
], s.d. Pen and wash drawing
after Rembrandt, 15,5 x 20,5 cm; not signed. Stuck by left and upper margins.
€ 300/400
Reverse copy of an etching by Rembrandt. Portrait of A. Francen, apothecary and art collector,
close friend of Rembrandt. Attributed to J. Folkema and from the collection R.P. Morris according
to mss notes.
Ref.
Cp. Hollstein XIX, p. 221, 273.
37 [Drawing - Vernet, after]
- [
La pêche heureuse
], fin XVIIIe-début XIXe s. Plume et lavis d’encre
noire d’après Joseph Vernet, 34 x 41,3 cm; non signé. Plis, qqs pet. déchir. marg. renforcées au
verso, qqs min. piqûres et frottements.
€ 200/300
Probablement d’après la gravure d’Adrian Zingg (1734-1816) exécutée c. 1765, inversée par
rapport au tableau original de Claude-Joseph Vernet (1714-1789), peint en 1758. Minuscule étoile
à 6 branches et qqs chiffres dans le coin inf. g.
38 [Drawing - Veronese, after]
- [
St Barnabas healing the sick
], s.d. Red pencil and sepia wash
after Paolo Veronese, 43 x 31,2 cm; not signed. Stuck by upper corners under passe-partout. Central
horizontal fold, some folds at the corners, tear repaired in lower right part, a few tiny pinholes.
€ 400/600
After a painting of Veronese c. 1566 in the Rouen Musée des Beaux-Arts. Collector’s stamp on verso.
39 [Drawing]
-
4 drawings
, s.d. Not signed.
€ 500/700
[Country woman at the market], black and red pencil, laid paper 22,5 x 29 cm. - [The Ascension],
red pencil, tondo, laid paper, diam. 20,5 cm; some decorative sketches and old mss notes on verso.
Light folds. Nice drawing. - [The Flight to Egypt],
recto verso
, laid paper 31,5 x 18,4 cm. Recto:
red pencil and wash with one character in black pencil, verso: blue pencil and wash. Stuck by upper
part, 2nd drawing sl. stained. Attr. to Carlo Maratti. - [Bucolic scene], red pencil, laid paper 31 x
43,8 cm. Stuck by upper corners under passe-partout. Some sm. marg. tears or defects, stain in the
lower right corner, sl. fox. Well-executed drawing representing a family resting by a pond, with a
cow, a donkey, a lamb, a dog... In the style of N. Berchem.