19 / 416
19
We join
:
Id.
-
The Holy Family, 1593. Tool engr., 47 x 35 cm (trimmed to the borderline); engr.
monogr., date and number “6”. Fox., verso stained, small lack of paper in the left lower corner
roughly repaired. From the same set, 3rd state (of 5).
Ref.
Hollstein VIII, p. 5, 9 & 14.
71 [Guercino, after]
-
BARTOLOZZI, Francesco
- [Eighty-two prints engraved by F. Bartolozzi,
&c., from the original drawings of Guercino in the collection of His Majesty]. S.l., s.n., s.d., folio,
18th-c. marbled calf (covers loose), gilt orn. flat spine (rubbed), 82 pl. (lacking title and index; some
pl. brown. or fox.).
Cfr. ill.
€ 3000/4000
Later ed. (?, 1800?) on laid paper (1st 1764). Includes a portrait of Guercino and 81 pl. (one on
double p.) engraved by Bartolozzi (1727-1815), Richard Dalton (1715?-1791), Vitalba and others,
generally printed in sepia, after drawings of the Italian painter Guercino (Giovanni Francesco
Barbieri, 1591-1666), collected by the Earl of Bute during his Grand Tour and later offered to King
George III. Armorial bookplate Hugh, Duke of Westminster.
~ Three adorned engravings ~
72 HAID, Johann Jakob
- [Le Goût], 2nd half 18th c. Adorned and heightened aquatint, publ.
Augsburg, J.J. Haid and son, laid paper 22 x 19 cm (trimmed to the platemark); engr. French titles.
Underlaid under passe-partout.
€ 150/200
From a set a 5 pcs, representing a nicely dressed childish couple drinking and eating. Attractive
plate by the German painter, engraver and publisher J.J. Haid (1704-1767), a member of the
Augsburg artists family Haid.
We join
, various sizes: Jamais un criminel ne peut être assuré (...), s.d. Adorned and handcol.
engr., publ. Paris, Basset; French caption. Under passe-partout. Brown., dampst. Humoristic
popular print representing a criminal riding on a donkey. - Eleonora Magdalena Teresia imperatrix
Leopoldi primi (...) uxor, s.d. Adorned engr. by J. Blondeau, publ. Rome, de Rubeis; Latin caption.
Under passe-partout. Fox. - Maria Theresia D.G. roman: Imper. (...), c. 1745. Handcol. engr.,
publ. Augsburg, A. Schmitt; Latin caption. Folds, etc. The Empress on horseback. - Le tribunal
injuste, 19th c. Chromolith., publ. Wissembourg, Wentzel; French caption. Dampst. Pontius Pilate
condemns Jesus. (5 pcs, the 2 last ones framed, not unframed)
73 HAID, Johann Philipp
- [The five senses], 2nd half 18th c. Suite of 5 aquatints, publ. Augsburg,
J.J. Haid and son, 41 x 28 cm, laid paper 42 x 31 cm; engr. French titles. Framed (not unframed). Sl.
brown., esp. in the margins, some marg. fox. and tears, esp. in “Le Toucher”, etc.
€ 250/350
“Le Goût”, “L’Odorat”, “La Vue”, “le Toucher” & “L’Ouie”. Attractive set by the German
engraver J.Ph. Haid (1730-1806), a member of the Augsburg artists family Haid, son of Johann
Lorenz Haid, painter, engraver and publisher.
74 HAMILTON, Gavin, ed.
- [Schola italica picturae sive Selectae quaedam summorum e schola
italica pictorum tabulae aere incisae cura et impensis Gavini Hamilton pictoris. Rome, Gavin
Hamilton], 1773, plano, 65,5 x 49,3 cm, later red leather, marbled paper on covers (locally discol.),
gilt tooled flat spine titled “Piranes[e]/ 22/ Ecole italienn[e]” (sl. rubbed and stained), 40 pl. (some
sl. brown. & fox., marg. tear on pl. 31). Good copy.
Cfr. ill.
€ 1800/2200
Rare complete set
(n. 1-40 incl. front., dated 1769-1773) printed on thick laid paper. Beautiful suite
of reproductive plates consisting of an architectural front. after Michelangelo and 39 pl. engr. by
Italian artists (J. Perini, D. Cunego, A. Capellan, J. Volpato, Tinti, etc.) after L. Da Vinci, A. Del
Sarto, Parmigianino, Raphael, Correggio, Giorgione, Veronese, G. Reni, Guercino, the Carracci...
after drawings by G. Hamilton. Hamilton (1723-1798) was a Scottish portrait and history painter,
excavator and dealer in antiquities and old masters. He lived in Rome from 1742-48 as a pupil of
Agostino Masucci and returned to Rome in 1756. He published at his own expense “Schola Italica
Picturae” of which he sold the plates to Francesco Piranesi by 1780.
Ref.
Brunet III-31 (calls
erroneously for 41 pl.) and IV-672. British Museum.